Archive for the 'Horse Photography' Category

05
May
12

Journey to Interagro

Just before my most recent assignment in Kentucky (to photograph the opening of the US Tour of Apassionata!) I was in Brasil to photograph for Dressage Today. Our destination was Interagro, the incomparable Lusitano breeding farm of Dr. Paulo Gonzaga and his daughter Cecilia Gonzaga. Cecilia and her husband, Cristiano, have created a paradise on earth for Lusitano lovers. With nearly 1,000 horses and numerous stables, arenas, and pastures stretching into a seemingly endless vista, it is difficult to take in the care and detail that created such a wonderland.

But care and detail are everywhere if you stop for just a moment to reflect on the view in any direction. From the Interagro symbol on the tops of the stall dividers, the meticulously prepared riding surfaces, and the flowering shrubs planted to enhance the architecture at every turn, to the gleaming tack and polished wheels of the Marathon carts and the shining coats and braided manes of the gorgeous Lusitanos, it is evident that a loving, clear, precise vision guides every activity at Interagro. But make no mistake: this farm is not about show, it is about the working Lusitano! Everyone is busy at their particular task and the tasks are myriad. Interagro breeds driving horses, dressage horses, and working equitation horses. Subsequently, there are indoor and outdoor rings for each discipline as well as miles of roads for driving carts and carriages.

The gracious hospitality we received is the memory that has stayed the strongest. I have the feeling that we stepped into a time and place that exists in an alternate reality. A reality that values refinement and ease in every endeavor. Yes, I am gushing…but I’m sure I’d be forgiven if you could only share this experience. And the best part….you can!  I’ll be announcing a very special workshop that will take place at Interagro this fall. With Cecilia Gonzaga as our host and guide, International Morphology Judge Davi Carrano to inform us about the Lusitano breed standards, and me…your favorite equestrian photographer, to ignite your creativity and expand your vision of equine photography, we will experience the finest the Lusitano world can offer. Details coming very soon in this space. Stay tuned and tell your horsey/photographer friends!

30
Apr
12

Apassionata North America!!!

I’ve just returned from shooting the opening engagements for Apassionata North America.  WOW!!!! It was so much fun. The horses are gorgeous and so beautifully trained and the performers and staff were all so gracious and generous.  It was a lot of hard work but so rewarding and fulfilling.  I’ll write more about the experience, but I wanted to get this gallery up quickly for everyone to enjoy.  What I will say is this: the audiences LOVED the shows. The response from the people was ecstatic! So……go see this show! It’s wonderful for all ages and even non-horsey types.  It’s just great entertainment.  As always, comments welcome.

And for the last bit of Apassionata news….my photo from Frankfurt is the cover of this month’s HORSES FOR LIFE!  I hope you’ll click on the link and go preview this month’s issue. It’s always filled with intelligent, passionate, and insightful writing….all for the well-being of the horse.  Thanks, Nadja, for all your hard work and love for the horses! (CLICK HERE TO PREVIEW)

06
Mar
12

Simple Gifts

‘Tis the gift to be simple, ’tis the gift to be free…’  Elder Joseph, Shaker Community

I made a new friend Sunday. He is sweet, sensitive, curious, kind, genuine, handsome, intelligent, gentle, angelic. We had a conversation that lasted for hours with neither of us able to move away. We talked about adventure, friends, animals (his favorite is the horse), racing, work, making new friends, imagination…..an entire galaxy of topics in this relatively short time.

Ten days ago, I had to fly overnight to Frankfurt, Germany, and then photograph the entire next day and night without rest, little food, and all the while feeling not quite up to the challenge. This was an important job for me and one that I wanted to create the absolute best images I could for a variety of personal and professional reasons. When I walked into the Festhalle in Frankfurt I was immediately concerned about my ability to do so as the space was so dark and cavernous. I don’t shoot with flash, and it would have been forbidden in this instance as my subject was horses. I was photographing the performances of Apassionata and the team that Mestre Luis Valença will be sending to the United States. The show debuts in Lexington, Kentucky, in late April.

I was prepared, had all the appropriate equipment, but I knew that if the technical challenge of such low light could not be overcome then even the most compelling image would be useless if it could not be used for print or projection. So I cranked up the ISO (1600 and 2000….EEK!!!) and set about the work. I resist chimping the screen in most instances, and with the action so fast and furious I would have lost the moments had I been looking at the back of my camera.

So about half way into the first half of the show I let myself relax and enjoy the actual performance. I noticed that I began to have a natural smile on my face rather than a conscious one….and I could feel some of the tension leaving my body as well. I decided to dial the ISO down…and choose moments to shoot rather than chasing every shot, every gesture. I was laughing out loud during the comedy parts, and floating into the romance and magic of the story. I was enjoying myself and allowing my curiosity to push aside the doubt and concern.

Back to my new friend: In all likelihood I will never see him again, but the impact of this meeting was so strong that it has caused me to write this blog post, and more importantly, to re-examine the swirl of my present life. Alexander, in the short time I shared with him on a cross-country flight, crystalised the lesson I had offered to me last week. His insistence about combining the world of imagination with the world we have built and others have built around us showed me that it is possible to remain a creative being, uninhibited by daily circumstance or momentary challenge. His self-discovery in the midst of self-creation was powerful to watch and reminded me that its okay, even better to PLAY while working. His example reminded me to drop the fear (the real word behind concern, worry, and insecurity) and rest in the knowledge that my intention will create a way.

Our teachers are all around us. Open your eyes and see with your heart. Thank you, Alex, for the simple gift of your spirit and kindness. You are so wise and wonderful. I hope your fourth birthday brings you all you can imagine.

29
Dec
11

What a note to end the year on!

I’ve just received a copy of the latest review for Meditation for Two…..I can hardly believe that it is as glowing as the previous one.  I had to post it and offer my thanks to Mary Daniels for her thoughtful, generous remarks. It’s going to be published in the February Issue of Dressage Today, available January 2, and on DressageToday.com.   Dressage Today????  How cool is that for an equine photographer/writer? Pinch me. Again.  (You can have your very own copy by clicking on the tab above!)

The review:

by Mary Daniels

As the title might offer a clue, this is not a how-to book about how to train horses, but one about a very personal and unique philosophy—“Because the nature of the horse demands it, this is a mystical, metaphysical book,” says Barbier. He writes about “allowing our thoughts to be happy ones, finding our smile and learning to use it through discipline, meditation, visualization and love.

“This book is a reflection about the love of horses and how much they care and want us to be better. It is my belief that were we to allow ourselves to listen, were we to allow them to speak, they would surely have offered such a book to us.”

I agree with what Psillas says in her introduction to this book. That “we ride as we are,” which is true, and “what better purpose for a life than to hold the space for beauty.” To me, horses are a thing of beauty. A joy forever as a great poet once said, and beauty is medicine.

Perhaps I am not mystically inclined enough to understand all of the text, such as the preceding idea that were they allowed to speak horses would offer such a book to us. The ones I know might just ask for a charge card to the nearest greengrocer, or a romp in the hayfield. It may be one must belong to the Inner Circle of this following to be able to absorb the more esoteric aspects of this philosophy.

But there were parts I liked very much and here are a few from Barbier: “Horses and humans: the idea of separation first and then a coming together when mutual respect and understanding are attained is too simplistic, though not to be ignored. Rather, if I can say, it is the sense of oneness first, and then how to remain in that oneness that I believe is the essence of successful and symbiotic interaction between human and horse.

“The horse must trust the student. He must accept and enjoy a comfortable position, something that does not always come naturally. In turn, the student must trust the horse, both physically and mentally. If your riding mentality is based in fear, the horse cannot believe, understand or feel comfortable with you. Panic and evasions follow. A void in the student creates a void in the horse. Horses are the mirror of your soul.”

“The attitude that we are the only or best conduit of energy is a limiting one. The horse is already here.  We must learn to be here. Our undisciplined minds and our egos cause us to live in the past or in the future and we must remind ourselves constantly of the goal of self-realization. Unlike the horse, we are so busy doing, we forget simply to be, we are so busy working, we forget to enjoy. Horses demand our presence, and this mental discipline in turn allows communication and oneness to happen. They teach us to be in and stay in the present, to share the same vibrations, the same space, the same energy. They teach us to replace organized unhappiness, unfulfilled dreams and expectation with the attachment and appreciation of the very moment. When acceptance and grace flow between horse and rider, the centaur can exist.

“An undisciplined mind is like a young green horse—full of life, scattered and uncensored. All manner of achievement is possible when the horse, like your mind, comes to the calm knowledge of self and respect of others. Together these notions bring harmony and joy. Gratitude and reverence allow us to be and feel that there is nothing we cannot do. Remember then, to say thank you. The open mind and the readiness for the path to further enlightenment will create real-life miracles.”

And my favorite: “I consider the shoulder-in the miracle movement. But I prefer to call it shoulders-in. The outside shoulder must be included in the movement, in our feeling of the movement. From the daily work for the original work-in-hand around one pillar, a technique centuries old, we need to understand why this is such a revealing movement, why it is such a powerful tool. The simplest answer is that it gives the horse a feeling of togetherness, then of independence. He learns where his legs and his body are in relation to himself and to the rider. This knowledge offers security to him and in turn, imparts an additional, undeniable mental strength, as any successful human athlete can attest,” he writes.

That said about the text, one must remark that the accompanying photos are lovely. Many of the subjects are of the Portuguese Lusitano breed, one of the world’s most striking and handsome. But there are also photographs of natural and man-made wonders, from the floral to the architectural, which make you pause and reflect.

The design of the book, by Psillas, is elegant and pleasing to the eye. “The display type of this edition of Meditation for Two is Cezanne with a nod to Dominique’s French heritage and to link and respect the arts of handwriting, photography and bookmaking, as well as the influence of the painting Masters on the history of photography,” she writes. The Old World sensibility in its creation makes this book a keepsake, a gift book bound to be appreciated by the receiver.


15
Dec
11

the importance of a message

I had such a wonderful surprise yesterday when I opened an email message from my publisher. She wrote to tell me about a great review in an important online journal for my book, Meditation For Two.  Happy as I was to read such nice comments, I realized that this was much more than a book review.

The words written by Cindy Foley were an affirmation on so many levels. First, people are searching for a deeper, more meaningful relationship with their horses. Dominique eloquently speaks to this throughout the book, and in the life he has led for the last forty years. Second, the power of the written word to reach people is magnified when you hold a book in your hands and immerse yourself in it. And third, the photographic image, when made with love and layered thoughtfully into an essay, can facilitate and amplify the connection. In Dominique’s words, it can “…create a greater molecular change”.

Cindy “got it”. I am grateful that an even greater number of readers will have the opportunity to experience the transformative nature of the book because of her generous review.  The most important thing about the book is its message; not the photographs, or design, though I am happy to have created them; not the number of books sold (though greater numbers would be super).

From the review: “The photos are misty, blurred…chosen because they speak without the need for a caption. They’re soulful, matching the words.”

If you are a photographer, consider your message. Work to find ways to incorporate your images with thought-provoking texts. I’m happy that Cindy understood why my photographs lacked captions in the book. I work hard to create images that speak by themselves or rest easily but meaningfully alongside a considered text. I believe it has made me a better photographer.

Thank you for finding and reading the blog.  Click HERE to see the entire review on Horse Journal.  You can order Meditation For Two directly from me by clicking HERE.

One last ‘message’…..my life works because I am surrounded by loving, kind people on every side. I have to take a moment and say thank you to Debra, Lisa, Chaya, and Alea for taking such wonderful care of my horse. Fol Amour is 29 now but thinks he is 5, still a stallion (and knows it), but has a good life because he is worked and cared for daily. I am on and off planes and zipping across continents, but my heart is at ease because I know he’s right where he should be. Here’s a picture of Chaya with her boy, Winston, taken just yesterday at Barbier Farms in Healdsburg, California.  Thank you, Chaya!

17
Nov
11

Golegã!

 

 

Now, after many years of wanting to visit, I have been to Golegã during the Festival of the Lusitano. Golegã: home to a number of legends of Lusitano breeding, including Manuel Veiga of Quinta da Broa, and Manuel Assunçao Coimbra.  As a longtime student of Mestre Dominique Barbier, I have been familiar with these names and have regarded them as the height of perfection for the classical Lusitano. Tracing bloodlines from Broquel to Larapio, one of Dominique’s stallions, has been a pathway through breeding and cultural history in Portugal (and Brasil) for the last fifty years. Dominique’s original stallion, Dom Giovanni, was also a horse by Broquel.

But Golegã surprised me in so many ways.  It was not just a history lesson or homage to the great breeders. It is a living, breathing, celebration of all things Lusitano. The rich culture surrounding this great horse is multi-faceted, and as a living organism, it is in a state of constant change. One thing remains the same; the festival is held each year over the Festival of Sao Martinho on the 11th of November.

I am still catching my breath from all the excitement, imagery, sounds and smells. Golegã was THE complete sensory experience. Hooves clip-clopping on cobblestones, with breath from nostrils and steam from flanks mixing with the smoke from roasting chestnuts….all competing with the cries of children wanting to pet the horses and the calls from one friend to another over a pulsing crowd, creating a marvelous cacaphony. I hope the pictures will give you a sense of the vibrancy of the Lusitano Festival. It has been a rich harvest for me and a rare instance of the reality far exceeding the dream. I am truly blessed.

My favorite moment from Golegã? That’s easy…the conversations and camaraderie all built around the love and passion for a great horse. Having dinner in a very small restaurant and meeting people from all over Europe that knew each other through the Lusitano, coming together to enjoy the festival, was a memorable night. It reminds me that the world, though vast in size and full of wonder, is made small, even intimate, by the connections we share and create with others.

Tomorrow I’ll put up a small gallery of images from Tomar and the Convento do Cristo, along with a few from the Cistercian Monastery at Alcobaça.

25
Jun
11

Abundance

The trip to Portugal and Spain was one of abundance. Everywhere I turned was a feast for all the senses: sight, sound, smell, taste, and touch. Although I no longer like this word, it was dizzying.

But the strongest feeling I got was one of connection. Of course I am at home with the horses no matter on which continent I find them, but watching a bullfight?? or visiting the village of Goléga, and Mestre Nuno Oliveira’s old manege, a Flamenco performance in the Gitane area of Jerez, the famous Bodegas of Terry and Domecq, and then the Convento dos Capuchos?  Each location was filled with a familiarity or sense memory for me that was suprisingly strong and completely unexpected. My challenge during this trip was to make meaningful images AND hold as much of the experience in my heart as possible. This can be very difficult when so much is packed into such a short time. In one day we saw a performance at the Portuguese School of Equestrian Art, had lunch on one of the most beautiful windswept beaches I’ve ever seen, visited a monastery built into the rocks at the top of a mountain, traveled back in time to visit the Manege of Mestre Nuno Oliveira, and finish the night (very very late) at a Fado restaurant in the Alfama district….smack in the middle of the celebration for the Feast of St. Anthony.  And on top of that, I needed to make meaningful photographs of all the participants enjoying their trip.

I always remind myself that when I am working, I am happy to get ONE picture a day that reflects what I have seen and felt. It is hard to put into words the satisfaction I feel having created an image that speaks to me.  If I had to use one word I would choose affirming. A successful photograph affirms my connection with the subject and in a very real way, my connection to life. This experience of being in the flow of BE-ING is one of the most rewarding parts of photography. As my friend and mentor says so often, “photography is a great way to BE in life”. He’s right.

It’s often demanding and tiring, especially during a trip like this. Folks are snug in their beds by 2 am and I’m up downloading images and cleaning cards and gear, preparing to be ready to go again at 8 am. Looking, with intent and a desire to see deeper is tiring as well, but often rewarding.

I’m at home now, working through a mountain of files, and video too, and trying not to think (yet) about the next trip.  As always, thanks very very much for checking the blog. Please do tell a friend or two about it. Wishing you an abundant feast for all your senses. ~ Keron

 

06
Jun
11

more fun with flypaper textures!

I stole a few moments today from a mountain of tasks to create a few textured images. Of course I used my favorite Fly Paper Textures (Hint….click the button!) and here are the results. I used some favorite textures from the original three….and a new one from their just released Spring Painterly collection.  I’ll work a few more in the coming days, then it’s off to Portugal and Spain. I hope you enjoy them. Oh….I need your opinions, please: Slideshow or Gallery format?

 

 

02
Jun
11

Feeling like myself…photographically

I spent a long day on Monday running over the Brasilian countryside to try to make up for the days lost during my illness. Here are four images that I like very much. Hope you will too. What appeals to me is the quality of the light in each one. It’s amazing what a little wet concrete can do to create a backdrop.

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30
May
11

Magic and artistry

The best feeling in the world for me is one of vibration and excitement when experiencing authentic artistry. This trip has been filled with those moments. Equestrian artistry was certainly the theme for the trip but today I had the pleasure to visit two lovely women that work in oils and fiber. They create the most exquisite works of art I’ve seen in a long time. I’ll do a separate blog about this tomorrow, but here are some images from the last two weeks….and a few from today. I hope you enjoy them and can feel a little of the joy I’ve experienced.

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29
May
11

Photos from Brasil!

It’s just the beginning, but here are some photographs from the trip. I’ve got a few more days to continue to create images so I’ll post another gallery very soon. The trip has been truly wonderful.

That’s the thing about traveling….the unknown can often bring joy and fill your heart with gratitude. Beatrice Bulteau, renowned watercolorist and artist of Lusitano images, said to me, smiling, just as I was leaving the auction “See you soon….the world is such a small place!”.  And it’s true. Manfred from Germany, Heitor and Fabio from Toca Do Marlin in Bahia, Beatrice from France, Carlinhos from Portugal, and many others all gathered in Sao Paulo because of the love of the Lusitano. Late next week it will take me to Portugal, but until then I’m going to savor the moments that continue to rise up from this latest experience.

Thank you to the Barbiers, Davi, Natasha, Nancy, and Sarah. And to all the friends in Brasil, old and new, you made this trip so very memorable.

24
May
11

A spinning globe

First, an apology to my regular readers.  I’ve been blogged down. I am in Brasil and feeling upside down and spinning all around.  Yes, the globe does this, but normally we don’t feel it. But I’ve been feeling every bit of it with something called labyrinthetie (in Portuguese).  Basically, if I moved, I fell down. And when I wasn’t moving I felt as if I was on a magic carpet taking me to a very nasty place.  With great care from dear friends (Debra, Dominique, and my dear Davi Carrano), strong medicines and some time in a Brasilian hospital I am on the mend! And the big news is that I must change my life. Meaning: I cannot have the iced tea with lemon and sugar that was my main food group. I’ll write more about this later as I digest this. (ha ha…not smiling).

For now…there are a couple of images from the lovely spot where we stay while visiting all the farms in the area of Sorocaba. Early on Sunday morning (too daggone early, actually) I heard a roaring sound and took my camera, in my jammies, to investigate.  I’ll be posting more images of horses and riders, but here are a few for today to get me back into blogging mode.

So, Bom Dia! And my favorite expression in Portuguese…. Avanta, con coragem, tudo é beleza!

29
Jan
11

Published!

I’ve been neglecting the blog lately.  Bad form. One might think I’ve been enjoying a winter’s rest, but that hasn’t been the case.

I do have some wonderful news to share….news that I’ve been guarding for a while. Meditation For Two is going to be published in the United States by Trafalgar Square’s Horse and Rider Books! I couldn’t be happier about the whole experience.  The people at Trafalgar are marvelous to work with and I have only optimism and hope for continued collaboration.  None of this would have happened were it not for two people: Dominique Barbier and Sam Abell.  Dominique has had an illustrious career as one of our finest living Masters of Classical Dressage and has a number of publishing successes to his name as well.  This smoothed the way for me…..the newbie….to have a book published with such a respected organization.  Thank you, Dominique.  And to Sam Abell I offer thanks for the belief in the work, the encouragement to pursue a dream, and the tools to design and create a humble, meaning filled book.

And before the release in the US, the book will be available in Germany and Switzerland on March 1st.  The title has been changed for the German edition. It will be published as: The True Nature of the Horse, and what it teaches those who love.  It’s a mouthful for sure, but one of cultural nuance.  And herein lies a lesson. The book is in the incredibly capable hands of the team at Wu-Wei Verlag. I had to keep telling myself that when the design was completely changed, when the title was changed, indeed even the shape of the book was changed.  So authors and photographers beware: it is often the case that when your work is handed over your ability to control your product ceases.

Trafalgar Square has chosen to keep the original design, completely.  It will be interesting to see how each volume performs in the marketplace, how each book is promoted, what the differences will be and how the public will perceive it.  I’m looking forward to the journey.

As I have received a great deal of encouragement about my photography, my poetry in the book and my writing on the blog, I am now working on a book that combines the three. I’ll post excerpts from time to time here and invite comment.  I thank you in advance for your participation in the discussion.

16
Nov
10

storing memory

I am writing from California while looking at the late afternoon sun falling over the vineyards.  It is warm and golden with the sweet sounds of birds in the olive trees. After a long summer the grass has turned green again following late October rains.  It is a peaceful place for a pause before I begin the rest of my journey to the East. It reminds me of my favorite story, Frederick The Mouse. I’m storing the memory of the warmth and light and scent. This way I can use it to sustain me over the winter and as a guidepost for my return.

After four years I have left Seattle. Work and family cares are calling me to the East Coast for a time so I am driving across the country. I’ll be taking a southerly route and making notes of all the places that I’ll want to visit and photograph on a return trip. Driving south from the Oregon/California border was torturous at times because I could not stop. The light in the olive groves on the fresh green grass was arresting.  The patterning, the color, the softness in the atmosphere….thinking of it all now brings the pain back of not being able to photograph it.  I think I will have many bittersweet moments like that on this trip. As a photographer I know well the law that demands we “photograph it now”. We can never duplicate the light we see or the emotion generated by a scene when we first discover it. It’s a life lesson isn’t it:  Carpe Diem….do not procrastinate…etc. But as it can not be helped, I will make the notes and plan to return.

Here are a few images from my trip to Florida last week. Photographing for Cindy, Simone, and Rosemary was a joy and one that I actually KNOW can be repeated. I’m looking forward to being in Florida again in February. I’ll harvest again the scent of the ocean, the call of the gulls and the chirps of the pipers while the atmosphere displays the orange, pink, purple and blue hues that announce the arrival and departure of the sun.

29
Oct
10

European Wrap Up…with horses!

I suppose I couldn’t go too long without posting some equestrian images on the blog.  History has long been a passion for me. Seeing the prevalence of the horse in European culture for centuries was a reminder of how dependent we have been on our equine friends for the advancement of civilization. Thankfully, horses are no longer used in warfare in most parts of the world, but they are still being abused and neglected. I’ve been working with Dominique and Debra Barbier on some behind the scenes projects….there will soon be an announcement about their efforts to educate riders and trainers about the correct, classical and compassionate training of the horse for all disciplines and levels. Stay tuned! In the meantime, I hope you enjoy the gallery. It’s an eclectic mix, but reflects some of the cultural landscape from Eastern Europe.

26
Aug
10

Doma Clasica link

I’ve had numerous images published in magazines and books….but this is the first article ABOUT me.  Here is the link (in case you read Spanish.) There are a couple of errors (mostly in tense) but the spirit of the article is correct.  Thank you, Katharina, for the opportunity.  And to my readers: stay tuned!  There are more articles and images to come.  Thanks for checking the blog.

Doma Clasica And please….leave a comment!

~Keron`

25
Aug
10

A really big announcement and a wrap up from Whidbey Island

I’m delighted to tell all my readers that Meditation for Two is going to be published in Germany, Switzerland, and Brazil!  I’m so excited and deeply gratified.  All the thanks goes to Dominique for without his tremendous success with Dressage for the New Age (published in 5 countries and in its third edition in the US) this would not have happened.  I’m working now on finalizing a publisher in France and the US and hope to announce the details quickly.  The message here:  Dreams do come true.  Of course, the book is still available on Blurb.com (and would make a GREAT gift at Christmas for Zen-leaning equestrian enthusiasts).

I’m hard at work completing the book project that the class from the Pacific Northwest Arts School created during their week-long course with Sam Abell.  The book title is Portrait of Whidbey Island. I had the great pleasure to assist this class for the fourth year in a row and am already looking ahead to a reunion next August.  The level of engagement on behalf of the students was extraordinary and surpassed only by the generosity and quality of Sam’s instruction. His alumni know that the discussions during the week will be thought provoking and erudite. That is why they return each year. New students are treated to original thought and genuine care about their work and progress. Sam is unparalleled as an instructor. It is my great honor to have assisted him on so many occasions.  In addition to the week-long course in Coupeville, area residents had the opportunity to hear Sam speak. The Life of A Photograph was the topic, to be followed next year with the second half of the lecture, The Photographic Life.  I’m certain that every person present last week will return and bring a friend.  It was THAT good.  Thank you, Lisa, Karen, and Sue, for all your hard work and dedication.  PNAS adds so much to the quality of life on Whidbey Island.

As soon as I finished on Whidbey Island last Friday night I zipped down to Healdsburg, CA, to photograph the clinic at Dominique’s farm.  This was the first time a formal clinic was held there and it was incredibly well-attended.  The organization, Shanna, Meredith, Beth, and Linda’s help, and of course Debra and Dominique’s instruction made for fun-filled days that were packed with information and philosophy…all with the benefit of the horse as the focus.  Riders and auditors alike went away with a renewed dedication to communicate with and learn from their horses. If you are a rider you’ll want to attend the next clinic at their home in January 2011….the 5th thru the 11th.  Reserve your spot quickly as space is limited and the August clinic was over-subscribed.

Here are recent images of several of my favorite equestrian subjects.  Enjoy!

03
Aug
10

Favorite horse photos, recent shoots

I’ve posted this gallery to show some of my favorite images from past commissions and assignments.  Some of them have been chosen, some not, but they all appeal to me for one reason: I believe they reveal the essence of the horse I am photographing.  There are a few selections from the farms I’ve visited, as the energy and creation of the farm is an integral part of the experience you share with your horse.  Photographing the surroundings allows me to depict a more nuanced view of your daily routine.

I hope you enjoy the gallery.  If you are interested in having images created I will be in Santa Fe, (New Mexico), Flemington, (New Jersey), Kiel, (Germany), Devon, (England), Florence, (Italy), Sao Paolo, (Brazil), and points in between in the coming months.  I’d love to hear from you.

29
Jul
10

Please remove your shoes (I’m not talking about airline travel)

“Earth is crammed with heaven, Every common bush afire with God:

But only he who sees takes off his shoes.”

Elizabeth Barrett Browning

After three months of near constant travel and work I am back in Seattle for a week to catch my breath. I have a lot of work to complete and great events on the horizon, but I am going to stop for a bit and reflect on the heaven and bushes afire that I have seen during my latest travels.

The heaven brought forth was the meeting of dear friends in several spots in Europe.  I am so fortunate to have met and come to care deeply for people in many different places. Traveling to see them along familiar rail lines or unfamiliar highways through ripening summer fields was a source of great joy to me. Creating new memories while laughing, dining, or walking together will keep  us in an embrace until our next meeting or even if we are never to meet again. This, along with a few photographs, is my sustenance. The heart holds joy and after a while, will release suffering.

I often visit museums to see the same paintings time and time again. Viewing The Sower and the Place du Forum and one of Vincent’s self portraits with those piercing blue eyes felt just like greeting old friends, or perhaps the echo of those meetings…with a touch of wistfulness and the longing to talk again.

Van Gogh's self portrait from 1887

I had the great pleasure to see several really fine exhibits and one new (to me) museum.  In London I went to the brand new show at the Royal Academy titled Sargent and the Sea, and saw the Renaissance Drawings exhibit at the British Museum. Sargent and the Sea was a particular joy as it showed the artist in the beginning of his career, with paintings that exhibited vigor and freedom, what one might expect from a young man visiting seaside resorts around Europe. What was entirely unexpected was the quality and maturity of the work.  While we might be familiar with the glory of Sargent portraiture, the mastery of his early compositions is stunning.  The texture of and reflections in the wet sand that he created made me want to take off my shoes and wade into the painting. The side-light creating a corona around a child’s head made you feel the late afternoon sun, a feeling that you are caught between wanting to stay on the shore to take in the last rays of sun and warmth while beginning to think about dinner and rest.

Setting out to Fish, 1878, Corcoran Gallery of Art

The Renaissance Drawings exhibit at the British Museum was familiar territory for me as I have spent many hours in the Uffizi Gallery in Florence. But there were delights: The painting of two cheetahs from about 1410 was a real surprise and it was eye opening to see the freedom of expression in the preparatory drawings that was rarely seen in a finished work. But to see the evolution of drawing from the early 1400′s to the height of the Renaissance was revelatory. The progressive refinement and use of perspective, texture, detail, and expression of movement and emotion all culminated in the masterpieces by Da Vinci, Titian, and Michelangelo that we revere.

Drawing/painting on vellum, c. 1410, Workshop of Giovannino de'Grassi

Where is the photography in all this? It’s in our awareness of every sight, every step, every line, every shadow, every bush afire. While looking at a canvas by Seurat at the Kroller-Muller museum I was thrilled to see three distinct compositions in one painting. While talking with my mother about the Sargent works I could see clearly the use of negative space, separation of elements, and side-light to highlight portions of the composition. This charged me, energetically, to go out and SEE more deeply. The inspiration I derive from the Masters of Painting and Sculpture feeds me and helps me to refine my ability to create whole engaging images. Having that experience while preparing for a camera club lecture provided great examples and re-ignited my passion for describing how we can expand our awareness by feeding our brains and our souls with the best imagery available to us.

The gift of awareness is the greatest gift we can offer ourselves.  Cultivate it.  Take off your shoes and touch the warmth of the soil and surf. You will reap an earth crammed with Heaven.

29
Jul
10

Meditation for Two now available on Blurb

Just a quick post to let you know that our book, MEDITATION FOR TWO,  is now available on Blurb (in case you really don’t want the gorgeous hand-printed, hand-bound volume with six limited edition prints….)….

I’ll be back later today with a regular post.  I’ve been traveling (and photographing) for a solid three months and am ready to sit and write.

Follow the link….

http://www.blurb.com/books/1432930

30
Mar
10

web of life, rebirth

©Marty Lederhandler

Yes, it’s strange that I would have a boxing picture (of Rubin “Hurricane” Carter) on my blog.  I don’t enjoy violence or violence as sport…..but here are the reasons that it appears.

While reading the NYTimes Lens blog (my favorite photography blog) I saw that Marty Lederhandler had passed at age 92.  He’s an AP Legend and I wanted to spend some time with his work….so I came across this photo.  A very few close friends know that I had the nickname “Lil Larry” as a teenager.  It was more of an endearment, but there it is.  Why “Lil Larry”?  Because my boyfriend at the time playfully said that I was always ready to fight about something.  I think he meant that in a good way…..that I was strong willed.  I looked at the photo and recalled that time and smiled.  Then I looked at the caption on the photo and was very surprised to see that it was taken on October 27, 1962, the night of my birth.  It could have been the instant of my birth for all I know, as I was born at 10:25 pm.

I’ve been feeling a little overwhelmed lately with many personal projects, change, mundane complications with computer and car, care and concern for aging family members, larger issues of the political climate and rancor, the lack of meaningful progress in so many issues that matter to me, and the unrelenting pace of activity in the world….so I’ve been walling myself off a bit.  At the same time, I’ve been kicking myself about it.  Now I have a new perspective and the inspiration is that boxing photograph.

Spring is a time of rebirth, the time after the quiet of winter when new shoots seek the sun and the pulse and purity of life glistens.  Winter and introspection give way to the body’s desire to rouse itself and seek warmth.  So “Lil Larry” is back! I’ve arrived in California to work with Dominique and Debra Barbier and bask in the warmth of friendship, common purpose, and California sunshine.  I’ll suffer through the first three days of accomodating my seatbones to a saddle and smile all the way through it.  There is work to be done and new growth to be nurtured, maybe even change to be effected.

I won’t be taking any photos of boxing, but I will continue to explore new avenues of growth.  I can only hope that one day someone will see a photo of mine and be encouraged to press on, to gather up their strength, tap into all the swirling pace of the world and make their voice heard. Thank you, Marty Lederhandler, for the inspiration and the reminder that there’s a huge world out there….moving along at a furious pace.  After a time of rest and contemplation, all we can do is jump in and start swinging.

Click here for more about Marty Lederhandler:  http://digitaljournalist.org/issue0202/ml03.htm

27
Mar
10

A new opportunity ~ Commissioned work

Readers of this blog know that I do a great deal of work with horses.  I’m expanding that  by offering horse owners, breeders, and barn owners the opportunity to have a custom portfolio made that expresses the love and passion you have for your horses and farm.  This offer is fully custom tailored. After talking with you, I will propose an outline for your shoot.  I’m most interested in learning your desires and what you envision for your portfolio, including the following:  how the work will be used, is it a treasured volume to hold memories, would you like to create  a portrait of the farm or barn, not just the horses, would you like to use images to develop or enhance a website, would you like to enhance or create a blog or newsletter campaign, would you like to include video portraits, or perhaps you would like to create a custom book to offer clients, barn mates, or prospective buyers.

I am able to provide all the services above, including the consulting and implementation to create or enhance your website, blog, or newsletter campaign and the design and production of a fully custom book for your farm or operation.  I’m pleased to note that I’ll be working closely with Rick Holt, teacher/writer/photographer/digital darkroom expert, and with Tim Feather of 110 Front Communications for web implementation, all on an as needed basis.  Rick and Tim have years of experience and the up-to-date knowledge to insure seamless transitions for your internet communications.

The most important ingredient for a successful shoot is a knowledge of and passion for the horse.  I bring along over 25 years of horsemanship to supplement my experience behind the lens.  As a farm owner I know the long hours of labor that goes into creating a haven that exhibits your care for the horse’s well-being.  I’ll work hard to reflect all these attributes in your portfolio.  I look forward to helping you portray and capture the unique qualities of your horses and their home.

Spring is upon us and the horses will be shedding their furriness…..contact me!  keron@tanatyva.com

Here’s an eclectic mix from farms and events around the world.  I hope you enjoy…..and please, explore the rest of the blog for other equestrian images.  You might like to visit Dominique Barbier’s blog  as well: www.dominiqueanddebrabarbier.wordpress.com

23
Feb
10

lunch with a friend and the business of photography

I had lunch today with Tim Grey, friend, author of many great books on image editing, creator of wonderful instructional DVD’s, and the Ask Tim Grey newsletter.  As always, it was great fun catching up and exchanging stories, but the crux of the conversation was this:  How does a freelance photographer/writer/educator make their way in today’s economy?  Most of the professionals I know have income streams in several areas.  These almost always include workshops, lectures, and product sales, either of their own, or a percentage of sales with sponsors whose products they use.  But our conversation kept drilling down to how best to allocate time.  As a former owner of a business (over 100 employees) I confronted this issue daily.  When we were terribly busy in the plant I would jump in to add my labor to make a deadline ~ but was it the best use of my time?  Tim’s confronting the same issues….as am I now, as a photographer.  Where is the balance between self promotion, shooting, teaching, keywording, stock submissions or making prints/books/dvds.

After thinking about the two photographers I know personally that are still thriving in this economy, I think the answer must be that more time is needed in self promotion.  Alain Briot and Tony Sweet have maintained their workshops, their product sales, and private teaching in a continually contracting market.  How did they do it?  Continual self promotion and of course, huge amounts of hard work…..all geared to offering a product (their knowledge) that has real value.  When I applied this thought to my own work as I am clearly not a photoshop Dream Team member (Tim) or a landscape photography master (Alain) or a Nikon Legend (Tony), I had to distill what it is that I know that may have value for someone else.  So here’s my self promotion:

I know books.  I know bookbinding, a fair amount about book design, I know about printing, both offset and fine art inkjet, and I know about publishing and distribution.  All of this came from nearly 20 years in the printing and binding industries in the Mid-Atlantic states and with several years now of producing fine art prints and books for consulting clients and for myself.   I have created a book in collaboration with Dominique Barbier of which I am very proud.  It is titled MEDITATION FOR TWO and is available on Dominique’s website.  From this book I have received several commissions for shoots and am anticipating that this market will grow as the book garners a wider distribution.   But I have also received inquiries about helping people put together their own books and assisting them through the process from concept to distribution.  I’m writing all this to illustrate how one endeavor can create avenues of work and further recognition.  Next time, when you are thinking about a project, try to envision the other areas that it could impact your work and hopefully, your income stream.  If the project is created from deep knowledge and love of your subject, coupled with a precise plan for getting the work seen, your likelihood of success is virtually assured.

Here’s an illustration of the front and back covers…and a few shots from inside.

07
Feb
10

serendipity: aka photographer’s luck

“We live only to discover beauty. All else is a form of waiting.” Kahlil Gibran

Last weekend I went to Healdsburg to photograph a client.  Because this was the first time I was photographing a person for a job I had more than the usual nervousness.  As the insecurity and senseless internal dialogue was brewing I knew I had to do something to get out of that energy if I was going to create successful photographs.  For me, a successful photograph includes many elements, but the foremost is the satisfaction of the client.  Readers of this blog will know that I am familiar with the location and have photographed horses at Barbier Farms many times.  I am always a little anxious about seeing things new in a setting that is somewhat limited and thoroughly known.  So I slowed my breathing and switched the internal dialogue from the static channel to the compassionate, grateful channel.  I met the client with a smile, listened to her desires for the photographs, suggested a few settings and started to work.

I know that everything I am saying is simple, perhaps even simplistic.  But it is too easy to forget and get caught up in thinking about what comes next or what if this or what if that….rather than just being still and taking in all the information that is being sent.  My client and friend, Candida, was giving me her thoughts about the movements that she wanted photographed….the light was changing rapidly….the dogs were playing…activity in the barn was picking up as it was feeding time…..other clients were coming to the barn for lessons….and through all of this, remembering to smile kept me centered and calm.  Soon there was a flow to the shoot akin to the gentle pace of deep water moving.  It was undisturbed and developed a quiet energy as we progressed.  By this time the light was getting  a little higher and stronger than I wanted and I let some doubt creep in….just as I silenced that thought and asked Candida to move to another area,  I caught the reflected light off the horse’s mane onto my friend’s face.  We were able to play with that for quite a few minutes and I enjoyed a bit of photographer’s luck.

The shoot was a tremendous gift for me as it brought more fullness to my resolve to create calm and expanded awareness in the midst of a great deal of activity.  Further, I think that my ability to project that created ease for my client, and certainly for the horses as they are so aware of all that is happening on the physical, emotional, and etheric levels.  I am looking forward to the next challenge of this kind and seeing what gift is in store, what serendipity arises.  It’s all around us.  We just have to remember to find and to feel our smile.

16
Dec
09

Road Trip, part 2

The most viewed images from the first road-trip post are the horse images…. so I thought I’d post a few more of my favorites.  The inherent beauty of the horse makes them marvelous subjects and it also makes it easier to create  a successful photograph.  But there are challenges as well.  I am terribly discerning with my horse photographs because I know what the correct postures are from an equestrian viewpoint, and I’m looking for meaningful gesture from a photographer’s viewpoint.  Then I want good lighting, dramatic lighting even…..and the last component must be the essence or the soul of the horse.  This is a tall order, but having access to Debra and Dominique’s farm makes it possible to have some success.

Visiting the farm is like going home for me.  My stallion, Fol Amour, lives there now to enjoy his retirement in his first home. He’s the old man of the barn now at 26, and while still active and working it is bittersweet to see him aging. I am just beginning to photograph him. I don’t have an answer as to why I haven’t been doing it, seriously, for all these years. It’s a regret that I must live with.  

Generally, I am happy with this group of images.  I was able to produce a couple different types of images in the midst of action and changing light.  We were there for less than two hours before we had to begin our trek up the coast.  But of course that bit of modest success fuels the fire to return!

11
Dec
09

thawing out from road trip

I’m just back from a 4.5 day roadtrip that began in Healdsburg, California, and ended in Seattle.  I was joined by Rick Holt, fabulous image editing instructor, fellow teacher, and photo buddy.  Our plan was to photograph horses in Healdsburg at Debra and Dominique Barbier’s  vineyard and farm, then cruise the California coast by taking the back way  up and over to Mendocino and then following highway 101 all the way north to Astoria, Oregon.  We were hoping for coastal fog and mist to lend some atmosphere to sea stacks, redwood trees and California oak images.   

Horses?  Check.  Highway 101? Check.  Mist, fog, atmosphere? Nada.  We drove for 4.5 days and never saw a cloud in the sky.  Not one.  But the painfully cold temps did give us some unexpected photographer’s luck.  Ice coated grasses, hoarfrost covered forests and meadows, and delicately frosted leaves on the shoreline delighted us each morning.  We were both slightly unprepared for pre-dawn with wind and frigid temps, but in our “hey, we’re out shooting!!!” euphoria, it didn’t matter that much.  

I’m back in Seattle now with an invigorated passion for exploration and appreciation of serendipity.  Here’s a small gallery from the trip.  I’ll be posting more over the next several days and will talk about the specific subjects and locations. 

29
Oct
09

horses, photography, continued

PiaffeThe practice of expanding my awareness, as encouraged by my interaction with my horses, and developed as my friendship with Dominique strengthened, prepared me to see deeply when I began to photograph in a serious manner.  Had I not spent more than a decade engaged in thought, writing, discussion, and living in a manner that facilitated deeper expression, I believe that I could not have become the photographer I am today. Often people ask me what I photograph.  I don’t know how to answer that really, but have settled on this:  I am an opportunistic photographer.  That is, when I see something that has layers of meaning or that I respond to (emotionally, visually, or otherwise) I investigate it photographically.  Of course I enjoy putting myself in places that I love, marvelous locations like Italy or France, but also the Arboretum, my home town, Dominique and Debra’s barn.  In new or exotic locations my heart is open and I’m visually alive, charged to all that is happening.  In familiar locations I am more relaxed and the images have a way of rising up in a gentle manner.

I have lived with, loved, and cared for horses for a very long time.  The horse is a creature of Grace.  There is an old saying about horses and riders that is roughly “you always get the horse you need”.  Because I like to do things full blast, I have had two horses of distinct personalities.  My mare, Raschida, was my do-everything girl:  fox hunter, trail hack, dressage mount, and teacher for neighborhood children. She insisted that I do everything correctly.  If I did not, it was a battle, and one I would never win.  So she was a marvelous teacher in that way, though not the easiest mount.  She was a gorgeous mare who embodied the Look of Eagles.  My job was to take that power and channel it into relaxation and grounded energy. My stallion, Fol Amour, is a refined, elegant monk with the heart of a lion.  He waits patiently for me and when I arrive (metaphysically and emotionally) we create magic. If I’m not quite there we have a pleasant ride and he sort of just packs me around.  My job is to show up, fully, and allow the sparks to fly. Having the two opposite ends of the spectrum demanded that I put in the “time in the saddle”.  Even when I wasn’t riding, I was thinking of calm, centered, flowing strength. This discipline prepared me to develop my photographic ability while accepting the bumps and setbacks as opportunities to learn.  Today, when I am not photographing, I am thinking about photography.  This enables me to see more deeply and remain creatively inspired. 

In the next post I’m going to pull at the threads of Grace and creative inspiration.

28
Oct
09

Horses, photography

Ultraje

Top Iberian, a gorgeous magazine from Spain that chronicles the Lusitano and Andalusian horse, is publishing a feature story about me, including a number of the horse photos that I’ve taken in the last several years. The editor, Katharina Braren, asked me in the interview to describe my connection with horses, as a strong connection, in her words, is evident in the photographs.  This is a subject that is central to who I am as a photographer so I was happy to discuss it.  As a full answer will take more than two paragraphs I am going to post it over several days.

The quality, or act of being that is awareness is the greatest gift we can give ourselves.  I’ve written and thought about this for nearly two decades.  Curiosity at a young age is a good start, but true awareness begins with an examination of who we are.  For me, this time coincided with when I met Dominique Barbier almost 20 years ago.  Antoine de St. Exupery describes friendship in this way:  Friendship is born from an identity of spiritual goals ~ from common navigation toward a star. If that is so, Dominique and I have seen many galaxies together.  Our discussions about the horses and training quickly turned to developing awareness and knowing what energy we were bringing to the horse whenever we were in contact.  By beginning to peel away ego and expectation, I found a greater partnership and acceptance with my horses.  Please understand, this took some time and a great deal of effort.  Effort in the sense of bringing forth work from the heart…not just working AT something….it had the quality of working TO something and each step was a revelation.   This approach naturally spilled over into all the layers of a busy life (raising children, running a business) and while there were many setbacks, there were real moments, periods of peace and acceptance.   How does all this relate to photography?  That will be revealed in tomorrow’s post.




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